Mixing
The Mixing Process
Mixing is the process of fitting individual instruments together into a well-balanced song.
The goal is to create a coherent performance that reflects the original intent of the artist. Mixing involves several components.
i. Quality Control
The mixing engineer reviews the track for inconsistencies or artifacts that negatively impact the quality of the recording. These may include a noisy background, poor tonal quality, or occasional clicks or pops. If a problem can't be fixed in the mix, the engineer may recommend re-recording a track or section.
ii. Bussing
Related tracks are grouped for common processing. For example, the percussion elements may be grouped into a 'Drum Buss' to share the same spatial character.
iii. Track/Buss Processing
Each track and buss is processed to fit alongside the other instruments. Dynamics and tone are adjusted to give each instrument its own distinctive sound.
Instruments are equalized and compressed as appropriate to the musical genre. For example, in dance music, the drums are typically highly compressed with strong sub-bass characteristics. By contrast, a folk song only needs light compression and peak limiting to retain an open, natural sound.
iv. Track mixing
To produce a final stereo mix, multiple tracks in each buss are blended to create a well-balanced group. The different busses are then mixed together into a complete song. The dynamics and equalization of tracks and buses are adjusted until no instruments 'compete' in the same frequency range or on the soundstage.
Final mixes are usually given sufficient headroom (e.g. around -14 LUFS) and with reasonable peaks (between -6 and -1 dB TPM), so that the mastering process that follows has plenty of scope to tune the dynamics. Otherwise, if a final mix is later judged to be too compressed, the mastering engineer will be hard-pressed to 'de-compress' it.
In other words, the final mix should be clear, open, and tonally complete, but not necessarily radio-ready. It should be already close, but the mastering engineer's job will be to ensure that the track translates well on all systems: earbuds, car stereos, headphones, home stereos, and restaurant/club PAs.
Our Mixing Service
Typically our workflow goes like this:
i. You submit --
the recorded tracks of your song, exported from your DAW in a lossless format (such as WAV), or -
 a live multi-track recording of your band (such as off the sound console)
ii. We review the tracks with you, and discuss next steps. On rare occasions, this may include a request to re-record an instrument, or supplement with an additional instrument.
iii. We mix the tracks into a stereo mix, applying dynamics, equalization, and time-correction to each track as required.
iii. We share our results with you, and make revisions as requested.
Our goal is to provide the best result as quickly as possible.
If you have any questions, just drop us a line at --
mixing@dbo.productions